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Porcelain vases (1870) by Christopher Dresser made by Minton & Co. of Stoke-on-Trent, England at National Museum of Scotland. Edinburgh, Scotland. | Porcelain tea cup & plate (1875) by Christopher Dresser made by Minton & Co. of Stoke-on-Trent, England at National Museum of Scotland. Edinburgh, Scotland. | Earthenware vase (c1880) by Christopher Dresser made by Linthorpe Pottery of Middlesborough, England at National Museum of Scotland. Edinburgh, Scotland. | Egyptian Revival chair (c1880) by Christopher Dresser made by Chubb & Sons or Thomas Knight of England at National Museum of Scotland. Edinburgh, Scotland. |
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Clutha glass carafe (c1890) by Christopher Dresser made by James Couper & Sons of Glasgow at National Museum of Scotland. Edinburgh, Scotland. | Clutha glass carafe (c1890) by Christopher Dresser made by James Couper & Sons of Glasgow at National Museum of Scotland. Edinburgh, Scotland. | Electroplate teapot with ebonized handle (c1879) by Christopher Dresser made by James Dixon & Sons of Sheffield, England at National Museum of Scotland. Edinburgh, Scotland. | Electroplate & ebony tureen (c1880s) by Christopher Dresser made by JW Hukin & JT Heath of Birmingham, England at National Museum of Scotland. Edinburgh, Scotland. |
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Electroplate letter or toast rack (c1880s) by Christopher Dresser made by JW Hukin & JT Heath of Birmingham, England at National Museum of Scotland. Edinburgh, Scotland. | Candlestick (1883) by Christopher Dresser made by Richard Perry, Son & Co. of Wolverhampton, England at National Museum of Scotland. Edinburgh, Scotland. | Seven Ages of Man tiles (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London for Liberty & Co. at National Museum of Scotland. Edinburgh, Scotland. | Infancy tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. |
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Schoolboy tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. | Lover tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. | Soldier tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. | The Justice tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. |
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Pantaloon tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. | Sans Everything tile from Seven Ages of Man (1874) by Henry Stacy Marks made by Minton's Art Studio Pottery of London at National Museum of Scotland. Edinburgh, Scotland. | Thebes stool after an original in British Museum (1885-1900) made for Liberty & Co. of London at National Museum of Scotland. Edinburgh, Scotland. | Arts & Crafts desk (c1901) by Mackay Hugh Baillie-Scott made for Liberty & Co. of London at National Museum of Scotland. Edinburgh, Scotland. |
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Cotton & silk textile (c1900) by Silver Studio of London made for Liberty & Co. at National Museum of Scotland. Edinburgh, Scotland. | Silver hairbrush & mirror set (1911) by Jessie M. King made by WH Haseler of Birmingham for Liberty & Co. of London at National Museum of Scotland. Edinburgh, Scotland. | Pewter Tudric biscuit box (1902) by Archibald Knox made by WH Haseler & Co. of London, England at National Museum of Scotland. Edinburgh, Scotland. | Pewter Tudric cake tray (1902) by Archibald Knox made by WH Haseler & Co. of London, England at National Museum of Scotland. Edinburgh, Scotland. |
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Jugendstil flower table (1902-3) by Gertrud Kleinhempel & Margarete Junge made by Werkstätten für Deutschen Hausrat Theophil Müller of Dreden-Striesen, Germany at National Museum of Scotland. Edinburgh, Scotland. | Electroplate silver flower vase (1905) by Josef Hoffmann of Vienna, Austria at National Museum of Scotland. Edinburgh, Scotland. | Electroplate silver sauce boat (1906-7) by Josef Hoffmann of Wiener Werkstätte & prob. made by Bachmann & Co. of Vienna, Austria at National Museum of Scotland. Edinburgh, Scotland. | Jugendstil stoneware punchbowl (1902-4) by Richard Riemerschmid of Munich, Germany at National Museum of Scotland. Edinburgh, Scotland. |
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Jugendstil earthenware grape goat (1907-10) by Michael Powolny of Wiener Werkstätte of Vienna, Austria at National Museum of Scotland. Edinburgh, Scotland. | Jugendstil glass bowl (c1910) by Michael Powolny for Johann Loetz Witwe of Klostermuhle, Bohemia at National Museum of Scotland. Edinburgh, Scotland. | Jugendstil glass vase (c1910) by Michael Powolny for either JL Lobmeyr of Vienna or Johann Loetz Witwe of Klostermuhle, Bohemia at National Museum of Scotland. Edinburgh, Scotland. | Synchronous electric clock (1910) by Peter Behrens of AEG at National Museum of Scotland. Edinburgh, Scotland. |
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Charles Rennie Mackintosh exhibit at National Museum of Scotland. Edinburgh, Scotland. | Settle (1895) by Charles Rennie Mackintosh with panel by Margaret Mackintosh made by J&W Guthrie of Glasgow at National Museum of Scotland. Edinburgh, Scotland. | Settle column detail (1895) by Charles Rennie Mackintosh made by J&W Guthrie of Glasgow at National Museum of Scotland. Edinburgh, Scotland. | Settle panel (1895) by Margaret Mackintosh at National Museum of Scotland. Edinburgh, Scotland. |
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Tub armchair for Argyle Street Tea Rooms (1897) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. | Rush seat armchair for Argyle Street Tea Rooms (1897) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. | White painted bookcase for Dunglass Castle (1900) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. | White fireplace with settle (1900) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. |
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White painted settle (1900) with reproduction cushions & hanging by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. | Oak armchair for Argyle Street Tea Rooms (1898) & silver-painted side chair for Willow Tea Rooms (1903) both by Charles Rennie Mackintosh & made by Francis Smith of Glasgow at National Museum of Scotland. Edinburgh, Scotland. | Silver-painted side chair for Willow Tea Rooms (1903) by Charles Rennie Mackintosh & made by Francis Smith of Glasgow at National Museum of Scotland. Edinburgh, Scotland. | Hanging light fixtures for 14 Kingsborough Gardens (1902) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. |
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Square oak tea table for Ingram Street Tea Rooms (1909) by Charles Rennie Mackintosh & made by John Craig at National Museum of Scotland. Edinburgh, Scotland. | Replica of dressing table for J. Bassett-Lowke home, 78 Derngate, Northampton (1916) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. | Gesso frieze for Willow Tea Room in Sauchiehall St. (1903) by Charles Rennie Mackintosh at National Museum of Scotland. Edinburgh, Scotland. | Summer allegory gesso frieze for Willow Tea Room in Sauchiehall St. (1902) by Margaret Macdonald Mackintosh at National Museum of Scotland. Edinburgh, Scotland. |
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Egypt gesso lunette (1910) by Alf Webster for Byzantine Smoke Room in Anderson's Royal Polytechnic Warehouse, Argyle Street, Glasgow as a masculine counterpart to tearooms at National Museum of Scotland. Edinburgh, Scotland. | Oak rug chest from Arts & Crafts Exhibition (1899) by Sir Robert Lorimer at National Museum of Scotland. Edinburgh, Scotland. | Corner armchair (c1900) by Sir Robert Lorimer made by Whytock & Reid of Edinburgh at National Museum of Scotland. Edinburgh, Scotland. | Bronze sculpted plaque of Robert Louis Stevenson (1887) by Augustus Saint-Gaudens at National Museum of Scotland. Edinburgh, Scotland. |
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Anglo-Japanese aesthetic-movement cabinet (c1877-8) by Edward William Godwin made by William Watt Art Furniture & painting attrib. James Abbot McNeill Whistler at National Museum of Scotland. Edinburgh, Scotland. | Oak settle (1901) by Wylie & Lochhead displayed during Glasgow International Exhibition at National Museum of Scotland. Edinburgh, Scotland. | Art Nouveau cabinet (c1900) by Louis Majorelle of Nancy, France at National Museum of Scotland. Edinburgh, Scotland. | Art Nouveau tables (c1910) by Gallé of Nancy, France at National Museum of Scotland. Edinburgh, Scotland. |
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Mantle clock in Glasgow style (c1900) by Marion Henderson Wilson at National Museum of Scotland. Edinburgh, Scotland. | British clock with African themes of Primitivism movement (c1920-39) at National Museum of Scotland. Edinburgh, Scotland. | Brass wall sconce called Night in Glasgow style (c early 1900s) by Marion Henderson Wilson at National Museum of Scotland. Edinburgh, Scotland. | Bauhaus dressing table with mirror (1925) by Marcel Breuer at National Museum of Scotland. Edinburgh, Scotland. |
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Chrome & leather chair (1927) by Mies van der Rohe made by Gebrüder Thonet of Germany (c1930) at National Museum of Scotland. Edinburgh, Scotland. | Multiwood table (1925-30) by Thomas Tait of London at National Museum of Scotland. Edinburgh, Scotland. | Art Deco Chinese lacquer cabinet (c1929) at National Museum of Scotland. Edinburgh, Scotland. | Glass & plated steel flower table (1935) by Betty Joel Ltd. of Portsmouth, England at National Museum of Scotland. Edinburgh, Scotland. |
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Streamlined chromium cocktail set (c1935) by Norman Bel Geddes made by Revere Copper & Brass Co. of New York at National Museum of Scotland. Edinburgh, Scotland. | Utility Furniture Scheme cupboard to meet WWII shortages (c1942) at National Museum of Scotland. Edinburgh, Scotland. | Allegro plywood sideboard (1949) by Basil Spence for H. Morris & Co. to convert aircraft parts factory to peacetime production at National Museum of Scotland. Edinburgh, Scotland. | Allegro plywood chair (1949) by Basil Spence for H. Morris & Co. to convert aircraft parts factory to peacetime production at National Museum of Scotland. Edinburgh, Scotland. |
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Lounge Chair Wood (LCW) (1945) by Charles & Ray Eames made by Herman Miller USA (1953) at National Museum of Scotland. Edinburgh, Scotland. | Willowwood piano (1910) painted by Phoebe Anna Traquair on Steinway case designed by Robert Lorimer at National Museum of Scotland. Edinburgh, Scotland. | Psyche Chalice of abalone shell (1905-6) by Phoebe Anna Traquair & Ramsay Traquair & made by JM Talbot of Edinburgh at National Museum of Scotland. Edinburgh, Scotland. | Writing casket with enamels (1927-8) by Phoebe Anna Traquair made by Brook & Sons of Edinburgh at National Museum of Scotland. Edinburgh, Scotland. |
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Red Crosse Knight embroidered panels (early 20thC) by Phoebe Anna Traquair at National Museum of Scotland. Edinburgh, Scotland. | Central panel detail of Red Crosse Knight embroidered panels (early 20thC) by Phoebe Anna Traquair at National Museum of Scotland. Edinburgh, Scotland. | Abalone shell as chalice on silver stand with enameled plaques by Phoebe Anna Traquair & overall concept by Ramsay Traquair of Edinburgh at National Museum of Scotland. Edinburgh, Scotland. | Arts & Crafts Honeysuckle textile (late 19thC) by William Morris at National Museum of Scotland. Edinburgh, Scotland. |
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Embroidered hanging (1900-10) by Mary Morris (daughter of William Morris) & Theodosia Middlemore at National Museum of Scotland. Edinburgh, Scotland. | Embroidered hanging (1900-10) by Mary Hamilton at National Museum of Scotland. Edinburgh, Scotland. | Dressing table mirror (1898-1902) by WAS Benson made by Morris & Co. of London at National Museum of Scotland. Edinburgh, Scotland. |
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